Jan Brueghel’s Magi are very clearly “borrowed” from his father’s depiction of the scene (detail below - also on show in the National Gallery).
They wear the same colours, and carry almost identical gifts, for example, this second Magus, with his ermine trimmed gown, and his black cap and sceptre laid on the ground, bearing his myrrh in a cup with a cover identical to that in Pieter Bruegel’s painting.
Matthew doesn’t spell out the significance
of each gift, but Christians assigned meanings to each of them at least as
early as the second century; gold for kingship, frankincense for divinity, and
myrrh, foretelling Jesus’ death.
In John’s Gospel, it is Nicodemus, a Pharisee and important
religious leader, who provides myrrh to anoint Jesus’ body after his
crucifixion. We first meet Nicodemus in John chapter 3, when he is clearly
interested in Jesus’ message, but unwilling to commit himself. He eventually
seems to finds what he needs, but only after Jesus’ death.
Nicodemus, who had at first come to Jesus by night, also
came [to the tomb], bringing a mixture of myrrh and aloes, weighing about a
hundred pounds. John 19.39
The whole picture:
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